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searching records at a records shop.

Concept
​Feel "Muse"

Our starting point was that audiophiles tend to think that the reason old records sound bad is because the sound quality of the record was bad to begin with, and that there was nothing that could be done about it.​

We thought that rather than blaming the old records, which contain outstanding performances, we should make efforts to play them with better sound.​

And so we have come to provide a new standard in record playback.
If you can capture even the subtlest vibrations of the record, feel that it is the best, and want to listen to it more and more, then that is our product and solution.

 

Above all, we want to support you, the music lover

We value the sound and energy of a "place" and aim to reproduce that "place" vividly and without ambiguity.

This is because

the "place" of a performance is filled with sounds that carry various energies.

The tension, joy, anticipation, and anxiety of the performers before the performance, as well as the anticipation and tension of the audience...all of these emotions are carried in the sound of the performance.

As soon as the performance begins, the performers and audience influence each other, undergo various changes, and become one.

The various sounds associated with the energy, physical movements, and emotional movements of both parties mix and resonate with each other, forming "energy" and "place."

First of all, we have taken on the challenge of playing old records with better sound quality than the others.

By old records, we mean records made in 1950's, 60' even if new, before 1990, or even before the 2000s.

If you have records from the gramophone era, the mono era, or the early days of stereo, you can play them with higher sound quality than ever before.

We have in mind classical and jazz records that represent this era.

There are many factors in the record manufacturing process.

Trying to play a certain record with better sound quality than ever before may not match other records.


For you, the true music enthusiast.

We are aiming for the following three things.

Re-evaluate, in our own way, the records that have continued for about 150 years are huge amount of cultural assets.

To reproduce the state of people on a certain day, at a certain time, as it is recorded on the record.

the related music, and the diverse cultures involved in people's lives, and convey them to the world.

To provide a system that can reproduce them at any time and pass it on to future generations.​

In Japanese "KANJI" letters, "music" is written with two letters "音楽" as "enjoying sound".

However, its depth does not stop at the dimension of simply enjoying it, it has the power to shake people's hearts and sometimes greatly influence them.​

I want to cherish that music as my companion in life and as a dear friend.

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Contact Office (Moved to the following address)

Laboratory / Office / Manufacturing factory (Sorry, Not Allowed To Visit)

Kodaira city, TokyoJapan

Mr.Masashi Miyake

Please contact by e-mail. Sorry we have no space to invite you.

And I'd like to ask you to write your name, address, e-mail, phone and so on.

Please remove the brackets() before sending e-mail.

vinyl.audio.laboratory(@)gmail.com

連絡事務所 (以下に集約しました)

研究所 兼 事務所 兼 製造工場(来所不可)

東京都小平市

担当: 三宅 正師

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